黃心健擔任鹿特丹沈浸科技週 (Immersive Tech Week) 論壇講者 Hsin-Chien Huang Headlines in Immersive Tech Week 2023 in Rotterdam
國際 XR 金獎導演 / 國立臺灣師範大學設計學系特聘教授黃心健於鹿特丹沈浸科技週（Immersive Tech Week）擔任論壇講者，亦力邀業學界大師，包含法國電音教父 Jean-Michel Jarre、歐洲創作者實驗室創辦人 Astrid Kahmke、北科大互動設計系主任暨北科大元宇宙 XR 研發中心主持人曹筱玥教授，率領講者們以自身經驗出發，探討 XR 作品經驗及國際合作心法。
Renowned international XR Gold Award-winning director and Professor at National Taiwan Normal University’s Department of Design, Hsin-Chien Huang, participated as a keynote speaker during the Rotterdam Immersive Tech Week. Esteemed industry figures, including the French electronic music pioneer Jean-Michel Jarre, the founder of the European Creative Lab Astrid Kahmke, and Professor Hsiao-Yue Tsao, Director of the Interactive Design Department at National Taipei University of Technology and head of its Metaverse XR Research Center, were invited to discuss their experiences and international collaboration approaches in XR artistry. During the two-hour forum, Director Hsin-Chien Huang alternated discussions with Jean-Michel Jarre, Astrid Kahmke, and Professor Hsiao-Yue Tsao. They delved into Huang’s latest XR masterpiece, “The Eye and I,” unveiling how it utilizes Generative Music to expedite cross-cultural collaboration and communication.
近2小時的專場論壇中，黃心健導演輪番搭配法國電音教父 Jean-Michel Jarre、歐洲創作者實驗室創辦人 Astrid Kahmke、北科大互動設計系主任暨北科大元宇宙 XR 研發中心主持人曹筱玥教授，透露今年 XR 最新力作《自監體》(The Eye and I) 如何使用生成式音樂 (Generative Music) 來加速跨文化合作與溝通，以及該作品巡演參展之經驗心路歷程；分享師大元宇宙動捕實驗室 與法國里昂歐洲創作者實驗室 (EUCL) 之台法連線協作，如何輔以元宇宙動捕實驗室專業知識及設備，讓 EUCL 工作坊的導演們即時遠端指揮身處於臺北的舞者，使之存於腦海中的想法能夠完美落地；討論馬祖藍眼淚 IP 數位科技創作及元宇宙旅遊觀光發展，曹筱玥教授期待導入數位科技結合馬祖在地景點或特色文化，並利用 3D 裸視與 MR 沉浸體驗技術，提供以「體驗」驅動的新型態互動觀光服務，引動文旅融合，帶動觀光人潮。
The panel shared insights on the exhibition journey of the work and the collaborative efforts between NTNU’s Metaverse Motion Capture Lab and the European Creative Lab in Lyon, detailing how the NTNU lab’s expertise and equipment enabled remote guidance of EUCL directors, directing dancers in Taipei, bringing their envisioned ideas to life flawlessly. They also explored the digital technology creation of the Matsu Blue Tears IP and the development of Metaverse tourism, with Professor Hsiao-Yue Tsao anticipating integrating digital technology with distinctive local landmarks or cultural features in Matsu. This would involve employing 3D naked eye viewing and MR immersive experience technology, offering an experientially-driven, interactive tourism service, thereby catalyzing cultural and tourism integration to attract more visitors.
為期一週的鹿特丹 Immersive Tech Week 亦特別策劃 The Church of VR 單元，集結來自世界各國 21 件傑出 XR 內容，邀請觀眾齊同參與一場結合虛實互動科技的沈浸互動體驗、並透過跨域藝術實踐融合多元視角與觀點，探討敘事、歷史、文化、當代議題等題材，凝聚出 XR 科技的兼容潛力與虛實交錯的無限想像，轉化科技藝術的共創價值。國際 XR 金獎導演黃心健與北科大互動設計系主任曹筱玥教授，分別以作品《ASOMROF》及《BlueTearsVR》代表臺灣展出。
Immersive Tech Week 論壇講者頁面：https://www.immersivetechweek.co/speakers/
The Rotterdam Immersive Tech Week, spanning a week, also specially curated “The Church of VR” segment, showcasing 21 outstanding XR contents from around the world. The event invited audiences to partake in an immersive interactive experience combining virtual and reality-based interactive technology. Through interdisciplinary artistic practices merging diverse perspectives and viewpoints, the event explored narrative, history, culture, contemporary issues, and more. This amalgamation highlighted the compatibility and boundless imaginative potential of XR technology, transforming the collaborative value of technological artistry. Renowned international XR Gold Award-winning director Hsin-Chien Huang and Professor Hsiao-Yue Tsao from National Taipei University of Technology’s Interactive Design Department showcased Taiwan’s works, “ASOMROF” and “BlueTearsVR,” respectively.
Immersive Tech Week Speakers Webpage: https://www.immersivetechweek.co/speakers/
